Experiments show: moderate your AI use when writing and creating — not too much, not too little

Three rounds of the same study all point to the middle tier; a columnist tried it himself, using ChatGPT to draft a movie plot, and decided he'd still rather write it by hand.
By New Scientist07-20 · 7 min read⚑ Expert view · personal take
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Research breakdown · XiaoHu Explains
One-minute summary
  • How much AI should you actually use for creative work? A study from the University of British Columbia gives a concrete answer: there's a sweet spot — use too little or too much, and creativity scores drop either way.
  • The main experiment recruited about 150 people to brainstorm a startup idea for a student with just $10 in seed money, split into three groups: one ChatGPT prompt, four to six prompts, or at least nine. Expert judges scored the ideas on novelty, practicality, and commercial value — the middle group scored highest on average. Repeating the experiment with 319 people produced the same result.
  • Professional creatives show the same curve: fashion designers, visual artists, writers, animators, tech workers, and influencers filled out a 1-to-7 questionnaire, and their managers separately rated their creative performance — the people who self-rated 4 to 5 performed best.
  • Huang's hypothesis is that AI supplies a perspective outside your own experience, the same reason teams tend to be more creative than individuals. The author adds a few caveats: large language models are fundamentally statistical tools that often produce an "average answer," and they can also erode your own sense of competence.
  • The columnist who wrote this piece tried it himself, going back and forth with ChatGPT to build a plot more intricate than he could have written alone. But he says the process cost him the joy of synapses straining to find new connections, and he ultimately decided to write it himself.
⚑ This is a bylined New Scientist column; the second half is the author's own first-person experience and personal take, not a research finding.
Opening

He had ChatGPT draft a movie plot

One of the plots ChatGPT came up with

Mischa's parents are throwing her engagement party at the family's country estate. As she gives her toast, the glass slips from her hand, and inside the stem is something hidden: a micro memory card. The find unravels a corruption scandal buried for decades, one that implicates her own family and forces her to choose between justice and loyalty.

No screenwriter wrote that. New Scientist columnist David Robson gave ChatGPT a creative-writing prompt, a single line: "Her face froze, eyes widening, as she watched the glass shatter on the floor." His goal was to sketch out a short plot outline in thirty minutes.

He wasn't angling for a career in Hollywood. He was testing a study's findings.

The study asks a very specific question: how much AI assistance is optimal for creative work? The answer sits in the middle. Too much or too little, and the scores drop either way.
🔎

Why it's worth reading: three rounds within the same study, a roughly 150-person experiment, a 319-person replication, and a survey of professional creatives, all produced the same inverted-U result: moderate users performed best. The first two rounds were scored by human expert judges on novelty, practicality, and commercial value; the third measured creative performance through each participant's own manager.

Five people set up easels on a clifftop lawn by the sea, backs to the camera, facing the ocean
The image accompanying this column shows five people painting by the sea with traditional art supplies. The original caption read: using AI for creative work has a "Goldilocks zone." Photo: Clare Jackson/Alamy, via New Scientist
The experiment

Three rounds of testing, one consistent answer

The study is by Hsuan-Che Brad Huang, completed during his PhD at the University of British Columbia; he now teaches at the National University of Singapore Business School. The internet has argued for a long time about whether algorithms will replace human mental labor. Huang wanted to ask something different: can AI make us more creative ourselves?

The paper behind this article
Unlocking Creativity With Artificial Intelligence: Field and Experimental Evidence on the Goldilocks (Curvilinear) Effect of Human–AI Collaboration
Unlocking Creativity With Artificial Intelligence (AI): Field and Experimental Evidence on the Goldilocks (Curvilinear) Effect of Human–AI Collaboration
Author
Hsuan-Che Brad Huang; the research was completed during his PhD at the University of British Columbia
Published
Journal of Experimental Psychology: General, 2025, Vol. 154, No. 12

The main experiment used a classic creativity test: help a student named Mike come up with an impromptu startup idea on a $10 budget. Participants had to generate multiple ideas, then write Mike an email spelling out the best one in detail. About 150 people took part.

The three groups differed in exactly one way: how much AI use they were told to aim for. One group used ChatGPT once, one used four to six prompts, and one used at least nine. For a fifteen-minute task, nine prompts is a heavy investment. All three groups used AI — the only difference was the suggested amount. The results went to human expert judges, who scored them on novelty, practicality, and commercial value.

Score drops whether you use too little or too much Expert creativity score Number of times AI was used 1 use Perspective never widened 4-6 uses Highest-scoring group 9+ uses Overused
The relative position of the three groups. The paper didn't publish exact scores for each group, so this chart shows only the shape — the y-axis has no values

The result matched Huang's prediction exactly, the middle group scored highest on average. To rule out chance, he ran a second experiment with 319 people and got the same result.

Switch to people who do this for a living, and the curve holds

What works in the lab doesn't always hold up on the job. So Huang did a third thing: he surveyed professional creatives, including fashion designers, visual artists, writers, animators, tech workers, and influencers.

The questionnaire had them rate statements like "I use AI to perform most of my job functions," from 1 (strongly disagree) to 7 (strongly agree). Creative performance wasn't self-reported, it came from each person's own manager. The result lined up with the first two rounds: the group that self-rated 4 to 5 showed the best creative performance.

A fashion designer adjusts a yellow coat on a mannequin in her studio, with clothing design sketches hanging nearby
This is exactly the kind of profession the third survey covered. The original caption read: fashion designers and other professional creatives using AI. The photo shows a fashion designer adjusting a yellow coat in her studio, with design sketches hanging beside her. Photo: LUIS TATO/AFP via Getty Images, via New Scientist
~150 people
Size of the main experiment, split into three groups differing only in suggested AI use
4-6 uses
Suggested prompt count for the middle group — the one with the highest average expert score
319 people
Size of the second experiment, which produced the same result
4-5
Self-rating (on a 1–7 scale) of the best-performing group in the professional survey
The mechanism

Why Huang thinks moderation is the key

Huang's hypothesis rests on an observation about people: our creativity is often boxed in by our own experience. Everyone carries assumptions that push their thinking toward a fixed direction, which is why hearing a different way of seeing the world tends to help.

There's evidence this is exactly why teams tend to be more creative than individuals. AI can play the same role, offering a perspective outside your own experience.

The author then lists a few of the technology's shortcomings. It's on this basis that Huang concludes moderation is the key.

Where it helps

It supplies angles you wouldn't think of yourself, pulling you out of your fixed assumptions. That's also why a group brainstorm usually beats one person thinking alone.

The shortcomings the author lists
  • Large language models are fundamentally statistical tools that often produce an "average answer," lacking the personal quirks of a human mind
  • They tend to absorb the biases and prejudices baked into their training data
  • More troublingly, they can erode your own sense of competence, leaving you feeling like it doesn't really matter
The researcher's term for it

The Goldilocks zone. The name comes from the fairy tale where a girl wanders into the bears' house and samples their porridge — the first bowl too hot, the second too cold, the third just right. Using AI works the same way: you're looking for that just-right middle setting.

His trade-off

He tried it himself, and decided to write it alone anyway

Back to that movie plot from the opening. Robson laid out his entire process, and after a few rounds back and forth, it's clear who was steering at each step.

AI
First he had the chatbot generate ten ideas across different genres, asking for breadth, not a direct answer
HIM
He picked his favorite from the ten: the glass shatters, revealing a memory card in the stem
HIM
He added a key detail himself: the card holds a set of photos from Mischa's grandparents' wedding
AI
Building on that detail, it proposed an elegant young woman in the photo who had been erased from every other wedding photo
BOTH
Over the remaining four prompts, he and the AI pulled the thread together: the woman was a great-aunt, erased because she'd witnessed her brother, Mischa's grandfather, commit a crime, with the showdown set at Mischa's own wedding
HIM
Keeping the story coherent and building the narrative arc: he was explicit that this part had to come from his own head

His own assessment: at every step, the AI widened the range of events he was considering, which almost certainly let him land on a more intricate plot than he could have built alone in the time he had.

But he has three reservations. Each one bites at a different moment: one during the writing itself, one at the instant of handing it in, and one that won't show up for years.

While writing
The joy of thinking, gone
That feeling of synapses straining to find new connections, and the surprise when a new motif unexpectedly surfaces
He says he got neither, this time
At the moment of handing it in
An awkwardness about the byline
Counting a collaboration with AI as his own work, that's a line he can't cross
There's also the risk of plagiarizing someone else's work
Years down the line
Might dull his own skills
Research shows people can quickly grow dependent, with persistence dropping when AI isn't available
The dashed border marks this one as unconfirmed — the study behind it is still a preprint
All three reservations come from the original piece; laying them out on a timeline is this site's presentation choice

The first point is covered in the graphic above. The second deserves another sentence: he's recently started writing short fiction, and what draws him in is exactly those motifs and themes that surface unexpectedly, somehow tied to his own experience and his mood in the moment. That channel was closed the one time he used AI.

Even Robson isn't sure about the third point. Grace Liu and colleagues at Carnegie Mellon University in Pennsylvania ran a study, its title translates roughly to "AI Assistance Reduces Persistence and Undermines Independent Performance," showing that people quickly grow dependent on AI, with persistence dropping once it's taken away. Submitted in April 2026, it remains a preprint and hasn't yet been formally published through peer review. Robson himself suspects this isn't necessarily a permanent change, but he doesn't like the idea that he might be setting himself up for lazier thinking down the road. For him, writing should be a learning curve that keeps climbing.

This isn't a judgment on anyone who chooses to create with AI. I believe plenty of people can do it without harming their own intellect. But if genius really is, as the saying goes, more sweat than inspiration, I'd rather sweat it myself.David Robson, closing the column
✅ A rhythm for creating with AI
Source
Using AI for creative pursuits? Moderation is keyDavid Robson, science writer and columnist·New Scientist·2026-07-17
Editor's note
Both photos are from the original New Scientist piece; photo credits are in the captions, and both are illustrative. The inverted-U chart is this site's own rendering of the relationship; the original paper didn't publish exact scores for each group. The following items were added after independent verification by this site and aren't mentioned in the original: Huang's paper is titled "Unlocking Creativity With Artificial Intelligence," published in 2025 in the Journal of Experimental Psychology: General; the paper by Grace Liu and colleagues was submitted to arXiv in April 2026 and remained unpublished as of this article's release; Huang now teaches at the National University of Singapore Business School after completing the research. No official Chinese name could be found for researcher Hsuan-Che Brad Huang, so the English name is used as given.
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